Writer Diaries #1:

Humble Beginnings…

Photo by Aaron Burden on Unsplash

Having resolved to blog regularly, I thought I’d keep track of something that could prove useful in future (not just for myself, but perhaps for anyone else out there who finds themselves at the bottom of a very steep mountain range in which writing regularly might be the first hurdle and the last having something to do with managing thousands—millions (?)—of screaming fans in Rowling-esque fashion).  Namely, I am keeping track, starting now, of my writing journey. Granted I have missed the last decade in terms of blogging, but even though I have been writing since an early age, I have yet to be published and reach an audience and thus am as far away from the top of the mountain as anyone else who is just starting out. (Just to be clear, my goal isn’t necessarily to have thousands or millions of screaming fans, though that might be nice if it were to happen at all.)

So, where am I currently?

Well, if you have been exploring here on my website at all, you might notice that I am in the process of writing a novel (actually, as of this blog, I have finished it and am searching for agents in which to send it to). This is my first completed novel (and the first chapter can be read right here).

As this book is not a standalone, I am also in the process of writing the second book and planning the next two—enough work all on its own. But, as I have researched more and more about the scary publishing world, I have come to the conclusion that having a too-large first novel and being a newbie that no one knows anything about is going to make it very hard to get traditionally published. Rather, it is highly advised by many sources to have been published to some lesser degree by a literary magazine (or two or three) beforehand.

Which means short stories.

I have written several in the past (short stories, that is), one for this website and the series I am working on (which can be found here); I have even sent a few into some contests, but again, have never been published.

Well, long story short, I am taking a second crack at it. And let me tell you, I have never had such bad writer’s block in all my life. Granted I am juggling a lot, but my schedule supports time for writing, I have been writing regularly each day for the last few years or so, and I have read extensively (and plan to continue).

So why the trouble, especially as I have written shorts before?

I think it’s to do with taking that first and serious step forward, toward publication. I am no longer writing just for myself. I am hoping that my shorts, and by extension, my novels, will begin reaching audiences. And the first of those audiences is the hardest. For my novel to have a better chance at traditional publishing, I will likely need some credits from having published short stories. And in order to get those published, I need to win over the editors of such contests and magazines with original, breathtaking, and cleverly written shorts.

Not such an easy task.

I am feeling a bit overwhelmed here, at my start. I know I can’t expect such perfect stories to just flow right out of me, especially in the beginning, especially when I’m worrying about what the editors are going to think, especially when I haven’t been writing shorts for some time.

Take a deep breath, I tell myself. And I always do. But deep breaths don’t win contests!

Actually, they just might. After a serious bout of writer’s block that hit me so hard last week I was struggling with work on my novel (a job that generally comes easy since I am so in-tune with my characters and that world), I took a day off from writing and decided to do something I hadn’t done in a while: I took my dog and my board out to the park and I played. I also took the weekend to read short stories, to fill my empty tank back up to full with ideas and inspiration. I had so much fun during all of this, that I didn’t even worry about my not being able to write or come up with the perfect story and the perfect surprising character developments.

And come Monday, I had new ideas for the short story that I was stuck on. The writing started out slow, but it began to pick up and I am now much more confident that there is something I am trying to say with this piece. I have simply to write it, to chip away the excess, and to see for myself.

The publication and the wins will come, with time I think, practice, and when I am ready (just as they do for anybody who sticks it out in this world).

So if you are feeling overwhelmed by the journey ahead, uncertain if these hurdles are passable, take heart, for I have been there as well (I still am). And so have countless writers before us. I think the most important thing is to keep moving forward, keep writing. Day by day. Don’t worry about how good you are, just let the stories excite you and the characters take you places you’ve never gone (and this is me telling myself this advice, because sometimes I forget).

The Treehouse Castaways: what it’s about

The Treehouse Castaways. It’s been ten plus years since the idea first lodged itself in my brain: I was fourteen and hardly knew what I was taking on at the time. Indeed, the story has grown a lot since then (as well as changed in certain ways), as I have. But like my characters, who are only a little younger than I was then, I like to think that I grew and learned in ways that informed my writing of them and of the story, which is as close to my heart as anything can be. Without the incubation period and the long years of struggling through structural issues, learning how to show not tell, learning to put together something of this size and complexity, I would not have the story that I do now.

So what is this story all about, you must be asking. I’ve kept it under wraps long enough, I should say. Here’s what the Treehouse Castaways is all about:

A boy. A cursed lake. A city of monstrous trees where secrets and magic are housed within them.

But there is so very much more than that. This story came together, like I said, over a ten-year period where I veritably absorbed everything I could through a lens of “how can I make this even bigger and better.” I owe so many great works out there—be they novels, television series, animes, film, graphic novels, video games—a debt of gratitude for their fanning the inspiration inside me.

The first work that planted the initial seed is a little story called Peter Pan—I think you know the one. A boy who refuses to grow up. A magical land that stands outside of time. Pirates. Lost boys. Fairies and pixie dust and children that can fly. This story has everything. I like to think that the Treehouse Castaways takes away some of this magic and transforms it into something fresh, something with the heart of Peter Pan—with the heart of never growing up—but something that’s never been done before.

The Treehouse Castaways is fantasy, coming-of-age, YA goodness (think if Peter Pan became a magician in a very Harry Potter-esque manner, and Neverland a place of enormous treehouses where, instead of being filled with pirates, continued to fill with lost boys—and girls—who spoke to trees and took in every manner of creature out there). The Treehouse Castaways is about, at first, not belonging. These are true castaways—people who don’t fit anywhere, seemingly. Although it’s not without its hope. Because the Treehouse Castaways is also about friendship and family and finding connection. It’s about finding meaning in a world that seems devoid of it. It is at once informed by childhood and whimsy, but also by the very truths that dissolve it: war and loss and isolation.

The Treehouse Castaways is at once an adventure story of exploration and discovery: this is important. These were the sorts of stories that kept me going as a child, that filled me with hope and awe and gave me joy to be alive. It’s also important that the characters with which we experience this story are children. There is something to be said about the innocence and fresh perspective that a child brings to everything they encounter. There is more danger and higher stakes for a child going through a trial than there would be for an adult, yet it shows the tenacity of the human spirit, even at such tender ages, when  they still overcome them. And it shows other children (even the eighty-year-old ones) that anyone is capable of resourcefulness, courage, and many great things besides.

Of course, you can’t have a fantasy story without a little magic. Don’t worry, there is plenty of that. Magic breeds mystery, and mystery is at the core of this story. For Elijah Hawthorne, the protagonist, mystery is at the core of his being. For who can know oneself and where they belong without a little trouble along the way?

Early Preview of The Treehouse Castaways!

It’s coming! The first novel in an epic adventure fantasy series, The Treehouse Castaways. Check out the first chapter of City in the Trees, book one of the series!

I am super excited to introduce City in the Trees for an early preview right here. This novel has been baking for some time and I am thrilled to finally let it out into the light (at least partially). For more information, please check out the Coming Soon page where another link to the early preview chapter exists, or message or leave a comment and I will get back to you.